Born 1971, Fort Sill, OK
Died 2007, New York City, NY

MFA, California Institute of the Arts, Valencia, CA
BFA, The School of the Art Institute of Chicago, IL

24/7 Projection: Jeremy Blake, The Standard, Hollywood, CA
Jeremy Blake: Memorial Exhibition, Kinz, Tillou + Feigen, New York, NY
Wild Choir: Cinematic Portraits by Jeremy Blake, Corcoran Gallery of Art, Washington, D.C.
Sodium Fox and Recent Works, Galerie Ghislaine Hussernot, Paris, France
Sodium Fox, Honor Fraser, Venice, CA
Sodium Fox, Feigen Contemporary, New York, NY
Recourse Lost, Jeremy Blake: The Winchester Trilogy, Cleveland Institute of Art, Cleveland, OH
Winchester, San Francisco Museum of Modern Art, San Francisco, CA
Galerie Tanit, München, Germany
Centro de Arte Caja de Burgos, Burgos, Spain
Galerie Ghislaine Hussenot, Paris, France
I Shot the Sheriff, Sister, Los Angeles, CA
Jeremy Blake: Winchester Trilogy, Art Gallery of York University, Toronto, Canada
Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands, Spain
Autumn Almanac, Feigen Contemporary, New York, NY
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (cat.)
The 59th Minute: Video Art on the Times Square Astrovision, sponsored by Creative Time and Panasonic, New York, NY
American Museum of the Moving Image, Astoria, NY
Museum of Contemporary Art, San Diego, San Diego, CA
Mod Lang, Blaffer Gallery, University of Houston, Houston, TX
Galerie Ghislaine Hussenot, Paris, France
Galerie Tanit, Munich, Germany
Mod Lang, Feigen Contemporary, New York, NY
Disappearing Floor, Dorothée DePauw Gallery, Brussels, Belgium
Angel Dust, XYZ, Toronto, Canada
Chemical Sundown, Dot, London, England
The Forty Million Dollar Beatnik, Works on Paper, Inc., Los Angeles, CA
Jeremy Blake: Bungalow 8, The Contemporary Arts Center, Cincinnati, OH
Jeremy Blake: Digital Projections, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Jeremy Blake: Statements, Art Basel 2000, Basel, Switzerland
Angel Dust, Feigen Contemporary, New York, NY
Jeremy Blake: Angel Dust and Other Works, Schusev Museum of Architecture, Moscow, Russia
Jeremy Blake: Angel Dust, Gallery of Art, Johnson County Community College, Kansas City, MO
Sucking in the Seventies, Recent Works/Jacob Fabricius, Copenhagen, Denmark
Bungalow 8, Feigen Contemporary, New York, NY
One Hit Wonder, Works On Paper Inc., Los Angeles, CA

Expo Video: Futuro Anteriore, curated by Alfredo Cramerotti, Expo Chicago 2015, Chicago, IL
West Coast Visions, Curated by Rudolf Frieling, Borusan Contemporary, Istanbul, Turkey
Liquid Crystal Palace: Recent Works with Jeremy Blake, Curated by Michael Connor and Nate Hitchcock, Honor Fraser Gallery, Los Angeles, CA
Opening Abstraction, Philbrook Museum of Art, Tulsa, OK
Project Los Altos, SFMOMA, San Francisco, CA
Projections Part II: Film As Painting , Roberts & Tilton, Culver City, CA
In the Séance Room: Acquisition Highlights from 2003-2013, Museum of Contemporary Art San Diego Downtown
Go West! Representations of the American Frontier, The Blanton Museum of Art, Austin, TX
Videosphere: A New Generation, Albright-Knox Art Gallery, Buffalo, NY
The Medium and the Message, Kleinert/James Center for the Arts, Woodstock, NY
The More Things Change, San Francisco Museum of Modern Art, San Francisco, CA
Blink! Light, Sound & the Moving Image, Denver Art Museum, Denver, CO
Psychedelic: Optical and Visionary Art Since the 1960s, curated by David Rubin, Memorial Art Gallery, University of Rochester, Rochester, NY
The Artist's Museum, Museum of Contemporary Art, Los Angeles, CA
Go West, Salt Lake Art Center, Salt Lake City, UT
The Old Weird America: Folk Themes in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX
Southern Exposure: Works from the Collection of the Museum of Contemporary Art San Diego, Museum of Contemporary Art: Sydney Australia, Sydney, Australia
Signals: A Video Showcase, Orange County Museum of Art, Newport Beach, CA
Rare Essence, Aeroplastics Contemporary, Brussels, Belgium
Picturing Pixels, Gallery W 52, New York, NY
Animated Painting, San Diego Museum of Art, San Diego, CA
The 59th Minute Retrospective, Times Square, NY
Pervasive Animation Programme One, Tate Modern, London, England
Meme: Romanticism, curated by Michele Thursz, EFA Gallery, New York, NY
The Gospel of Lead (with Dario Robleto), curated by Regine Basha, Arthouse, Austin, TX (cat.)
Impakt Festival 2005, Utrecht, Netherlands
All the Pretty Corpses, The Renaissance Society at The University of Chicago, Chicago, IL
Dreaming of a More Better Future, The Reinberger Galleries, Cleveland, OH
Afterall, curated by Charles Esche, apexart, New York, NY
Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY
Staging the Real, Projects at Clifford Chance, New York, NY
Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, Center for Art and Visual Culture, University of Maryland, Baltimore County, MD
Techno/Sublime, CU Art Museum, University of Colorado at Boulder, CO
Floor to Ceiling/Wall to Wall, Wadsworth Atheneum Museum of Art, Hartford, CT
Whitney Biennial, Whitney Museum of American Art, New York, NY
One Channel Only, Atrium Gallery, University of Connecticut School of Fine Arts, Storrs, CT
Paranormal, Aeroplastics Contemporary, Brussels, Belgium
Breathtaking, The Art Institute of Boston, Lesley University, Boston, MA
Animations, Kunst-Werke Berlin, Berlin, Germany
The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, ME (cat.)
Animation Impulse: Video Art and the Generated Image, Cheekwood Museum of Art, Nashville, TN
Mystic, Massachusetts College of Art, Boston, MA (cat.)
School is Out, Southfirst, Brooklyn, NY, curated by Michel Auder
Social Strategies: Redefining Social Realism, University Art Museum, University of California, Santa Barbara, CA, curated by Klaus Ottmann and Pamela Auchincloss; Exhibition traveled: Illinois State University, Normal, IL; DePauw University Art Gallery, Greencastle, IN; The Schick Gallery, Skidmore College, Saratoga Springs, NY; The Newcomb Art Gallery, Tulane University, New Orleans, LA
Imag(in)ing Architecture, The University of Connecticut Center for Visual Arts and Culture, Storrs, CT
VideoMix, Arario Gallery, Cheonan-si, Korea (cat.)
Imaging the Abstract, Feigen Contemporary, New York, NY
Auchincloss, University Art Museum, University of California, Santa Barbara, CA
Art & Film in the Age of Anxiety, curated by Chrissie Iles, Santa Monica Museum, Santa Monica, CA
New York, New Work, Now!, Currier Museum of Art, Manchester, NH
Whitney Biennial, Whitney Museum of American Art, New York, NY (cat.)
Painting Without Painting, Museum der Bildenden Künste Leipzig
Looking At America, Yale University Art Gallery, New Haven, CT
Claude Monet and Abstraction: Kandinsky – Rothko – Richter-up to digital impressionism, Fondation Beyeler, Basel, Switzerland
Impressionism, Fondation Beyeler, Basel, Switzerland
Remarks on Color, Sean Kelly Gallery, New York, NY
New Works, Feigen Contemporary, New York, NY
010101: Art in Technological Times, San Francisco Museum of Modern Art, San Francisco, CA (cat.)
BitStreams, Whitney Museum of American Art, New York, NY
New Settlements, Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark
Animations, PS1 Contemporary Art Center, Long Island City, NY
The Approximative, Ghislaine Hussenot Galerie, Paris, France
Duchamp's Suitcase, Arnolfini Gallery, Bristol, England
Compression, Feigen Contemporary, New York, NY
Metropolis Now, Borusan Sanat Galerisi, Istanbul, Turkey (cat.)
Maximal Minimal, Feigen Contemporary, New York, NY
Offensive Malerei, Lothringer 13, Munich, Germany
Elysian Fields, Centre Georges Pompidou, Paris, France (cat.)
Greater New York, Museum of Modern Art/ PS1, New York, NY (cat.)
Whitney Biennial, Whitney Museum of American Art, New York, NY (cat.)
A Salon for the 21st Century, John Weber Gallery, New York, NY
3ness, Museum Dhondt-Daenens, Deurle, Belgium (cat.)
Pict, Walter Phillips Gallery, The Banff Centre for the Arts, Alberta, Canada
Scanner, California College of Arts and Crafts, San Francisco, CA (brochure)
2000 Años Luz, Instituto Oscar Dominguez, Area de Cultura, Canary Islands, Spain (cat.)
Scopophilia (pleasure in looking), The Contemporary Arts Center, Cincinnati, OH
New Settlements, Louisiana Museum, Denmark
Fifteen, The Lobby Gallery, Deutshe Bank, New York, NY
Re-Structure, Grinnell College, Bucksbaum Art Gallery, Grinnell, IA
Whippersnapper, Vedanta Gallery, Chicago, IL
Good Vibrations, Tomio Koyama Gallery, Tokyo, Japan
Flaming June, Works On Paper, Inc., Los Angeles, CA
One Dot Zero, Institute for Contemporary Art, London, England
Formulas For Revelation, The Rotunda Gallery, Brooklyn, NY
Conduit Digital Film Festival, University of Texas, Austin, TX
Exploding Cinema, Rotterdam International Film Festival, The Netherlands (cat.)
Hollywood Realism: Michael Auder & Jeremy Blake, produced by Yvette Brackman, Venetia Kapernekas Inc., New York, NY
The History of Glamour, Works On Paper Inc., Los Angeles, CA
Oriental Nights, Gavin Brown's Enterprise, New York, NY
The History of Glamour, Bronwyn Keenan Gallery, New York, NY
Spectacular Optical, Thread Waxing Space, New York, NY; Miami Museum of Contemporary Art, Miami, FL; University of Colorado Art Gallery, Boulder, CO
Inglenook II, University of Illinois, Normal, IL
Pets, Bronwyn Keenan Gallery, New York, NY
Inglenook, Feigen Contemporary, New York, NY
Jeremy Blake: Silver Hill, Bronwyn Keenan Gallery, New York, NY
Heaven's In the Backseat of My Cadillac, Name Gallery, Chicago, IL
Aftershocks, Los Angeles Museum of Contemporary Art, Los Angeles, CA

79th Annual Directors Club Award for Broadcast Design & Animation
New York Foundation for the Arts Fellowship
I.D. Magazine, Interactive Design Review Medal

Schad, Ed. "Liquid Crystal Palace." Flash Art, May/June
Sokol, David. "First Look: Olson Kundig's Project Los Altos." Architectural Record, March 11
"Jeremy Blake's 'Moving Paintings' at The Standard, Hollywood." The Standard Culture, February 26
Borders, Evan. "Modern Art is Hitting the streets of Los Altos." KTVU, November 7
"SFAQ Pick: 'Project Los Altos' SFMOMA in Silicon Valley, CA." San Francisco Arts Quarterly, November
Van Ryzin, Jeanne Claire. "Go West: Jeremy Blake's 'Winchester Trilogy' at The Blanton Museum of Art." Austin 360, August
Kaufman, Jayson Edward. "Nuit Blanche Brings to Light to New York." Artinfo, October
Davis, Nicole. "Noted at the Armory." Artnet, March
Kamps, Toby. "The Old Weird America: Folk Themes in Contemporary Art." Contemporary Arts Museum Houston, May, p. 25, 58-63
Kent, Rachel. "Southern Exposure." Museum of Contemporary Art, Sydney, June, p. 1-4,16
Leffingwell, Edward. "In Freely Associative States." Art In America, April, p. 134-39
Esplund, Lance. "California Dreaming." The New York Sun, November, p. 15
Levin, Dan. "After Death, Unfinished Artwork Gets a Life." The New York Times, Novermber, pp E1
Richards, Chris. "Music to the Eye: Jeremy Blake's 'Moving Paintings' Are a Brilliant Coda to a Life That Ended on a Sad Note." The Washington Post, November, pp. C1
Muchnic, Suzanne. "The Art Explosion." Los Angeles Times, October, E31, E41
Pagel, David. "Leaving Artist and Subject Behind." Los Angeles Times, October, E28-29
Picazo, Gloria. "Pintar Sin Pintar." Exit Express, November, p. 11
Tanni, Valentina. "Muoviti, Pittura." Exibart, December 2006/Febuary 2007, p. 59
"The Haunting of the Wife of Winchester." Sleek, winter, p. 64-65
Dumbadze, Alexander. "Jeremy Blake." American Art Since 1900. Austin: Blanton Museum of Art at University of Texas at Austin
Newhall, Edith. "American Gothic." ARTnews February 112-113
Van Ryzin, Jeanne Claire. "'The Gospel of Lead' captures the spirit of guns' victims." Austin360, February
Puleo, Risa. "Dario Robleto and Jeremy Blake: The Gospel of Lead."ArtLies, Spring 100-101
Perl, Jed. "Peep Shows for Poets." The New Republic June 21-25
Nobel, Philip. "A House for Art's Sake." Architectural Digest May 240-247
Thompson, Seth. "Recourse Lost, Jeremy Blake: The Winchester Trilogy." Afterimage January/February
"Techno/Sublime" In Techno/Sublime exh. cat., Boulder, CO: CU Art Museum
Durant, Mark Alice and Jane D. Marsching. Blur of the Otherworldly:Contemporary Art, Technology, and the Paranormal. Baltimore: Center for Art and Visual Culture
"The Gospel of Lead: Dario Robleto, Jeremy Blake" In The Gospel of Lead exh. cat., Texas: Arthouse
Barrett, Terry. Criticizing Photographs, An Introduction to Understanding Images
4th ed. New York: McGraw Hill.
"The Gospel of Lead: Dario Robleto and Jeremy Blake." World Art Views January
Goddard, Dan. "Gospel uses historical artifacts to examine war's Consequences."San Antonio Express, February
Willis, Holly. "Unstill Lives: Jeremy Blake's Moving Portraits." LAWeekly, September
Gehman, Chris and Steve Reinke. The Sharpest Point: Animation at the End of Cinema. Toronto: YYZ Books
Perl, Jed. "Peep Shows for Poets," The New Republic, June
Morris, Bob. "Paint it Blake." Centurion Summer 30-31
Smith, Roberta. "Art in Review." The New York Times 18 November
Bard, Elizabeth. "Gun Crazy." Wired February 108-111
Miller, Ken. "The Pretty Pink and Blue Surfaces of Jeremy Blake's Work." Tokion September-October 82-85
Madoff, Steven. "Guns and Ghosts: The Winchester Witch Project." The New York Times, February
Monk, Philip. Spirit Hunter, The Haunting of American Culture by Myths of Violence: Speculations on Jeremy Blake's Winchester Triology. Toronto: Art Gallery of York University
Valdez, Sarah. "Gallery." Paper Magazine October 124
Willis, Holly. "Gunslinging Psychedelia: The Moving Paintings of Jeremy Blake." RES January-February 60-61
"The A- List." The Villager, November, Vol. 75, No. 27
Alm, David. "Trompe le Digital." RES March-April 16
"American Pie." Frieze May, p. 64-69
Baker, Kenneth. "At the Whitney Biennial, the art is overthought and much of it is heavy with conceptual freight." The San Francisco Chronicle 29 March
Bankowsky, Jack. "This is Today." Artforum May, p. 169-177, 233
Blair, Dike. "Interview: Jeremy Blake." Purple Fashion Spring/ Summer 100-105
Holliday, Frank. "A Wide Swath of Americana." Gay City News March, p. 18-24
"Jeremy Blake vs. Richard Prince." BlackBook Winter, p. 84-87
Livingstone, David. "Blakean." Elm Street The Look Fall, p. 28
Milroy, Sarah. "Two artists, two sets of demons." The Globe and Mail May 21, R4
Perl, Jed. "Head Trip." The New Republic 30 April
Rothkopf, Scott. "Subject Matters." Artforum May 176
Sunshine, Fannie. "Bringing dream-like element to AGYU". The Weekender May 15, p. 16
Villa, Manuela. "Pixeles y rifeles de repeticion." El País de las Tentaciones July 23, p. 8
Goddard, Peter. "Jeremy Blake Tells a Haunting Video Tale." Toronto Star, May 29, H4
Leffingwell, Edward. "Jeremy Blake at Feign Contemporary," Art in America, February, p. 119
Sichel, Berta M. Jeremy Blake Winchester trilogy: Reading Ossie Clark. Centro Caja de Arte Caja de Burgos
Barachon, Charles. "Liquid Dreams." Numéro April, p. 70-73.
"Canvas." Artnews April 30
Clifton, Michael. "Blake's Progress." V Magazine Winter
Dinaburg, Mary and Barbara MacAdam. In Videomix. exh. cat., Korea: Arario Galler
Ferris, Alison. "The Disembodied Spirits: Spirit Photography and Rachel Whiteread's Ghost." Art Journal Fall, p. 45-53
Ferris, Alison. "The Disembodied Spirit." In The Disembodied Spirit. exh. cat., Maine: Bowdoin College Museum of Art
Galán, Fernando Martín. "Pintura en moviemento." ABC November 1
Halter, Ed. "The Year in Experimental Film and Video." The Village Voice December 24
Hicklin, Aaron. "Homage/Visage." BlackBook November
Hunt, David. "Recasting the American West." Tema Celeste May-June, p. 56-58
"Jeremy Blake." Arte y Parte October-November, p. 148
Kawachi, Taka. "Video Art Jeremy Blake." HF June, p. 76-77
"L'almanacco di Blake." Carnet September-October, p. 33
Larsen, Lars Bang. "Jeremy Blake: Infernal Rodeo." Afterall Summer
MacSweeney, Eve. "Strange Days." Vogue. October, p. 284
Navarro, Mariano. "Jeremy Blake: Espectros líquidos." El Mundo October 23
Nolta, David D. "Art the Medium (Death the Large)." In Mystic. exh. cat., Massachusetts College of Art, Boston MA
Pagel, David. "Questions, few answers." Los Angeles Times April 23
Pollack, Barbara. "Jeremy Blake: Autumn Almanac." Time Out New York November 27, p. 82
"Proyeccuiones de Jeremy Blake en el Reina Sofía." El Punto 3 October 4
Rabinowitz, Cay Sophie. "Jeremy Blake: Back to The Future." Afterall Summer
Rodríguez, Guadalupe. "Los artistas prefieren el audiovisual." La Estrella September 28, p. 42
Schmerler, Sarah. "Ghostbuster." Time Out New York July 3, p. 62 - 63
Schwendener, Martha. "Technical Knockout." Time Out New York 11-18 December 20-21
Wilder, Hilary. "Media that need media are the luckiest media in the world: Associations and dependencies in the recent work of Jeremy Blake." Core. exh. cat., Houston: The Glassell School of Art of the Museum of Fine Arts.
Zamet, Kate. "Jeremy Blake." Kultureflash 5 March
Kastner, Jeffery. "I can't be/Satisfied/What do you want me to do? Big Star, 'Mod Lang,'" October
"Art and Film in the Age of Anxiety: Selections From the Whitney Biennial."
Cotter, Holland. "Spiritual America, From Ecstatic To Transcendent." The New York Times 8 March E35, E37
Davenport, Bill. "Jeremy Blake: All Mod Cons." Tire Iron #41 24 January
Frank, Elizabeth. "Digital Love." The New York Observer September 2
Hultkrans, Andrew. "Hawaiian Punch." Artforum November 53
Hundley, Jessica. "A Mix Master." Los Angeles Times 14 November
Hunt, David. "Jeremy Blake." Tema Celeste January-February 82
Moshkovits, Boris. "Changing Gears." Berliner. October 72-77
Poels, Jan-Willem. "Animate Painting." Frame. May-June 114-121
Pollack, Barbara. "Jeremy Blake: Feigen Contemporary." ArtNews February 127
Pollack, Barbara. "Art Rocks." ArtNews December 98-101
Princenthal, Nancy. "Illuminations for a Dark Place." Art in AmericaMarch 97-100
Puri, Siddarth. "Art Exhibit Examines World with New Lenses." Daily Bruin Online
10 October
Relyea, Lane and Terrie Sultan. Jeremy Blake: All Mod Cons. exh. cat., Houston:
Blaffer Gallery, The Art Museum of The University of Houston.
San Filippo, Maria. "Panel Discusses the Fusion of Film, Museums." The Daily
19 November
Schjeldahl, Peter. "Do It Yourself." The New Yorker25 March 98-99
Schmidt, Jaxon. "Inside, Outside, and Behind the Scenes of the Whitney Biennial."
V Magazine March-April
Smith, Roberta. "Bad News for Art at the Whitney Biennial." The New York Times
31 March
Teagle, Rachel. "Jeremy Blake." In Cerca Series. exh. cat., San Diego: Museum
of Contemporary Art San Diego, October. 3-November 24
Valdez, Sarah. "Attack of the Abstract." Art in America March 102-105
Zita, Carmen. "Jeremy's World." Trace December 40-41
Atkins, Robert. "Surface Pleasures." Artbyte June 66-68
Aletti, Vince. "Compression." The Village Voice 9 January
Barron, James. "Boldfaced Names: Technology As Art." The New York Times
27 March
Berwick, Carly. "The New New-Media Blitz." Artnews April 112-116
Bodow, Steve. "The Whitney's Digital Sampler." New York Magazine
26 March 72-77
Bonanos, Christopher. "Cue." New York Magazine 26 March 20
Bücker, Silke. "Augenschmaus." Prinz München February 60
"Bungalow 8 New York City." BlackBook Spring
Bussel, David. "Blake's Heaven." I-D November 184
Chua, Lawrence. "Jeremy Blake." Vogue Hommes Spring/ Summer 106-107
Clark, Paul. "Going Out: Art." Evening Standard 24 May 35
Clifford, Katie. "BitStreams: Whitney Museum of American Art." ART News
June 127
Dattenberger, Simone. "Zurück zu den Siebzigern." Münchner Merkur
13-14 January MM 17
De Righi, Roberta. "Unterm Bild Schirmschlüpfer." AZ 13-14 January 20
Dultz, Michael. "Provokante Bild-Ideen aus Lifestyle-Magazinen geholt." Die Welt
18 January 40
Edelson, Sharon. "Art Course." W September
"Exhibitions: Jeremy Blake". The Guide 19-25 May
"Fanfare: Futurama I." Vanity Fair March
Finch, Charlie. "My Own Private Biennial." 30 November
Glueck, Grace. "Compression." The New York Times 5 January
Griffin, Tim. "H-h-h-his generation". Time Out New York 18-25 October 75-76
Griffin, Tim. "The end of the beginning." Time Out New York
26 April-3 May 61
Griffin, Tim. "Thin Film." Artext August-October 66-73
Hart, Jane, "Hollywood 101: Deconstructing Tinseltown." Zingmagazine
Spring/ Summer 124-125
Huden, Johanna. "How to Bust into Spring's Poshest Playpens." The New York
29 March 40-41
Janna, Reena. "Previews: 40 Shows Worldwide: 010101." Artforum January
"In Conversation: John Baldessari & Jeremy Blake." Artforum March 160-165
"Insert." Parkett: 169-180
Janna, Reena. "Jeremy Blake: Politics and Fashion in Buccina." Flash Art
May-June 118
"Jeremy Blake in BitStreams at the Whitney Museum." Harper's Bazaar March
Kastner, Jeffrey. "Bit by Bit, the Digital Age Comes Into Artistic Focus." The New
York Times
18 March late ed 36,38
Kent, Sarah. "Jeremy Blake: Dot." Time Out London 6-13 June 47
Kimmelman, Michael. "Creativity, Digitally Remastered." The New York Times
23 March E31, E36
Kimmelman, Michael. "'Bitstreams' and 'Data Dynamics." The New York Times.
30 March E36
Kley, Elisabeth. "Digital Utopia." Artnet 20 November
Lacayo, Richard. "No Brush Required." Time 2 April
Lacroix, Ethan. "Takeout/Art." Time Out New York 15-22 March
Levin, Kim. "Voice Choices: The Short List: Art." Village Voice 3 April
Lewis, Jo Ann. "Corcoran Names New Contemporary Curator." The Washington
20 January
Lin, Tan. "Hallucinogenic Motion." BlackBook Summer 63-66
Littlejohn, David. "The Gallery: Invasion of the Cyber Geeks." The Wall Street
13 March A24
Madoff, Steven Henry. "Is This the Museum of the Future?" Talk March
Mill, Francis. "010101: Art in Technological Times." NYArts Magazine
April 17
Milner, Catherine. "Artscene." Tatler April 80
Moody, Tom. "Compression." Art Papers May-June 44
Mortensen, Lee. "Art in Review." The Wall Street Journal 6 April
"News and Around: Bitstreams." Tema Celeste March-April
"News: SFMOMA: 010101." Flash Art January-February
Osborne, Catherine. "Fall Previews" Lola Fall 50
Pollack, Barbara. "Back to the Future with 'Bitstreams'." Art in America September 60-63
"Review: Goings On About Town: Museums." The New Yorker 2 April
"Review: Goings On About Town." The New Yorker 5 November 18
Rugoff, Ralph. "Virtual corridors of power." Financial Times 31 March-1 April
Robinson, Walter. "Baselmania" Artnet 19 June
Saatchi, Doris. "Back to the Future." The Independent on Sunday
3 June 1-2
Saltz, Jerry. "Byte Lite." The Village Voice 1 May 71
Schoen, Christian. "Blake's Process–Digitale Video-Gemälde." In Offensive
Malerei. exh. cat., Munich: Lothringer13/halle, January 58-60
Scott, Andrea. "Bitstreams." Frieze September 96-97
Slate (Gallery Guide for Toronto & Environs). August-September cover
Smith, Roberta. "Jeremy Blake." The New York Times 16 November
Stevens, Mark. "Cue: Art." New York 2 April
Stone, Katherine. "On Digital Art." ArtisSpectrum: 15-19
Syman, Stefanie. "The Bell Curves and Bitstreams." Feed Magazine 26 Mar
Valéry, Paul. "Art in the Age of Sampling: The Sound of the Mouse, the Sound of
the Gun." This Side Up Summer 26-27
Weskott, Hanne. "Kunst als Geschmacksverstärker." Süddeutsche Zeitung #22.
27-28 January 20
Wilson, Michael. "Jeremy Blake." Artforum November
Baker, Kenneth. "Images Play with the Notion of Being." San Francisco Chronicle, December 2
Breslin, Ramsay Bell. "Under the Digital Sun." Eastbay Express
1 Decembr 28-30
"Bungalow 8." The New York Post 21 December
Cotter, Holland. "The Annotated List: Art; A Gathering of New Isms, Old Masters
and Noodles." The New York Times 10 Septembr late ed 94.
Cotter, Holland. "New York Contemporary, Defined 150 Ways." The New York
6 March
Debord, Matthew. "Smart Art." Sony Style Magazine Summer
"Elysian Fields." Time Out Paris 31 May-6 June
"Entropy at Ubu and Feigen, Anarchy at Curt Marcus." The Art Newspaper
April 77
Exley, Roy. "Duchamp's Suitcase." Nu: Nordic Art Review.
Géniès, Bernard. "Les Enfants De Warhol."Nouvel Observateur 27 April
Goodman, Jonathan. "Greater New York." Contemporary Visual Arts.
Griffin, Tim. "Purple Skies." Nylon May 36
Gutman, Ruth. "New Clubs So In, They're Invisible." The New York Post
21 December
Hug, Scott. "Cheapcream: On Technology." K48 Fall/ Winter
"Jeremy Blake: Digital Projections." Pennsylvania Academy Preview September-October 4
"Jeremy Blake: Project With Theresa Duncan." Art/Text November-January
Jones, Kent. "Whitney Biennial Cinematic Program." Art Forum April
Kehr, Dave. "Taking Chances With Emerging Video Artists." The New York Times
24 March
Kino, Carol. "The Emergent Factor." Art in America July 47
La Rocca, Amy. "Style: Bungalow 8." New York 18 December
Leguillon, Pierre. "Purple Horizon." Beaux Arts July 40-45
Nuridsany, Michel. "Un Monde Flottant." Le Figaro 13 June
Pedersen, Victoria. "Gallery Go'Round." Paper March
Perl, Jed. "The Counter Atmosphere." The New Republic 4 December
"Power Ballads in the Form of a Gel Cap." Purple Issue 4
"P.S.1 Contemporary Art Center: Greater New York." The New Yorker
13 March 14
Rachel, Tim. "Greater New York, Whitney Biennial." Flash Art italian ed.
"Review: Art & Exhibitions." Time Out Paris 31 May
"Review: Goings On About Town." The New Yorker 25 December- January
"Review: Goings On About Town." The New Yorker 3 July
"Review: Goings On About Town." The New Yorker 17 April 20.
Rice, Robin. "Best Bets: Art." Philadelphia City Paper 12 September
Rush, Michael. "New Media Rampant." Art in America July 43
Saltz, Jerry. "Greater Expectations." The Village Voice 8-14 March
Schjeldahl, Peter. "Pragmatic Hedonism." The New Yorker 3 April 94, 95
Schmerler, Sarah. "Maximal Minimal." Time Out New York 27 July-3 August
Selvaratnam, Troy. "Jeremy Blake, American Artist." Monitor Magazine July-August
Simpson, Bennett. "Jeremy Blake in Three Parts." March
Sozanski, Edward. "Museums: Rewarded Fourfold." The Philadelphia Inquirer October 6, p. W37
"Start Collecting Art." Fortune September 18, p. 374
Williams, Eliza. "Jeremy Blake." Zoo November
Williams, Gregory. "Greater New York." Frieze June-August
Aletti, Vince. "Voice Choices." The Village Voice April 13
Artois, Stella. "Exhibitionism." Flaunt June-July
Caniglia, Julie. "Jeremy Blake: Bungalow 8." March 5
Dean, Jiro. "Good Vibrations." Japanese Vogue November
Gangitano, Lia. "Mr. Fascination." Trans>Art and Culture Summer
"Good Vibrations." Tokyo Asahi Camera October
Griffin, Tim. "Jeremy Blake at Feigen Contemporary." Art in America November, p. 144
Holden, Stephen. "A Thematic Feast of Avant-Garde Videos." The New York Times July 16
"Interview with MIT's John Maeda." ArtByte Magazine April-May
Ise, Claudine. "Jeremy Blake at Works On Paper." Art Issues Summer
Johnson, Ken. "Formulas for Revelation." The New York Times May 7
Johnson, Ken. "Jeremy Blake: Bungalow 8." The New York Times April 2
Levin, Kim. "Voice Choices: The Short List: Art." The Village Voice July, p. 70
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Pandiscio, Richard. "Ones To Watch." Interview Magazine December

Blanton Museum of Art, University of Texas, Austin
Centro de Arte Caja de Burgos, Spain
Johnson County Community College Museum, Overland Park, KS
Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, San Diego
Museum of Modern Art, New York
Orange County Museum of Art, Newport Beach, CA
San Francisco Museum of Modern Art
Whitney Museum of Contemporary Art
Yale University Art Gallery

Winchester trilogy, 2002-04 Installation view of Project Los Altos: SFMOMA in Silicon Valley, 2013